{"id":657,"date":"2025-09-22T19:39:43","date_gmt":"2025-09-22T19:39:43","guid":{"rendered":"https:\/\/edmundomoure.cl\/?page_id=657"},"modified":"2025-09-22T19:41:43","modified_gmt":"2025-09-22T19:41:43","slug":"37entresiglos-y-quimeras","status":"publish","type":"page","link":"https:\/\/edmundomoure.cl\/index.php\/37entresiglos-y-quimeras\/","title":{"rendered":"37entresiglos y quimeras"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"657\" class=\"elementor elementor-657\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3849a10 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3849a10\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0365026\" data-id=\"0365026\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-20c8b63 elementor-widget elementor-widget-spacer\" data-id=\"20c8b63\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6c043a elementor-widget elementor-widget-heading\" data-id=\"f6c043a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Entresiglos y quimeras<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6abcc12 elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"6abcc12\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-93a3d59\" data-id=\"93a3d59\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1809efc elementor-widget elementor-widget-text-editor\" data-id=\"1809efc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\" style=\"margin: 0cm; line-height: 150%;\"><b><i><span style=\"font-family: Roboto;\">Entresiglos y Quimeras<\/span><\/i><\/b><span style=\"font-family: Roboto;\"> confirma a Edmundo Moure como un orfebre del lenguaje, capaz de tramar, a trav\u00e9s de su lenguaje po\u00e9tico, un vasto tapiz donde se cruzan historia, memoria y desenga\u00f1o. El libro convoca voces de conquistadores, poetas, fantasmas pol\u00edticos y amantes perdidos, todos navegando entre los restos de un siglo que se desmorona y otro que se anuncia con id\u00e9nticas incertidumbres. Moure despliega una escritura barroca, de ritmo quebrado y resonancias lit\u00fargicas, donde conviven Nebrija y Pessoa, Rasput\u00edn y Galeano, el Che y Sancho Panza, en un carnaval l\u00fagubre y visionario. Sus versos se convierten en cr\u00f3nica cr\u00edtica: develan la impostura del poder, la fragilidad de las utop\u00edas y la persistencia del mestizaje como herida y herencia. Con una imaginer\u00eda exuberante, el autor convierte la lengua en un oc\u00e9ano donde cada palabra es naufragio y rescate, plegaria y blasfemia. As\u00ed, la obra se erige como un canto de desarraigo y pertenencia, de iron\u00eda y lamento, que ilumina las ruinas de la historia con el fulgor de la poes\u00eda.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b80fd83 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b80fd83\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-826608d\" data-id=\"826608d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f8d7df8 elementor-widget elementor-widget-spacer\" data-id=\"f8d7df8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-aec2fba elementor-widget elementor-widget-heading\" data-id=\"aec2fba\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Entres\u00e9culos e quimeras<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b83fde3 elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"b83fde3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2804f73\" data-id=\"2804f73\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ceecfeb elementor-widget elementor-widget-text-editor\" data-id=\"ceecfeb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Entres\u00e9culos e Quimeras<\/strong> confirma a Edmundo Moure como un ourive da lingua, capaz de tecer, a trav\u00e9s da s\u00faa escrita po\u00e9tica, un vasto tapiz onde se cruzan historia, memoria e desengano. O libro convoca voces de conquistadores, poetas, fantasmas pol\u00edticos e amantes perdidos, todos navegando entre os restos dun s\u00e9culo que se desmorona e outro que se anuncia con id\u00e9nticas incertezas.<\/p><p>Moure desprega unha escrita barroca, de ritmo quebrado e resonancias lit\u00farxicas, onde conviven Nebrija e Pessoa, Rasput\u00edn e Galeano, o Che e Sancho Panza, nun carnaval l\u00fagubre e visionario. Os seus versos conv\u00e9rtense en cr\u00f3nica cr\u00edtica: revelan a impostura do poder, a fraxilidade das utop\u00edas e a persistencia do mestizaxe como ferida e herdanza.<\/p><p>Con unha imaxiner\u00eda exuberante, o autor transforma a lingua nun oc\u00e9ano onde cada palabra \u00e9 naufraxio e rescate, pregaria e blasfemia. As\u00ed, a obra \u00e9rguese como un canto de desarraigo e pertenza, de iron\u00eda e pranto, que ilumina as ru\u00ednas da historia co fulgor da poes\u00eda.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Entresiglos y quimeras Entresiglos y Quimeras confirma a Edmundo Moure como un orfebre del lenguaje, capaz de tramar, a trav\u00e9s de su lenguaje po\u00e9tico, un vasto tapiz donde se cruzan historia, memoria y desenga\u00f1o. El libro convoca voces de conquistadores, poetas, fantasmas pol\u00edticos y amantes perdidos, todos navegando entre los restos de un siglo que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":""},"class_list":["post-657","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/pages\/657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/comments?post=657"}],"version-history":[{"count":7,"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/pages\/657\/revisions"}],"predecessor-version":[{"id":664,"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/pages\/657\/revisions\/664"}],"wp:attachment":[{"href":"https:\/\/edmundomoure.cl\/index.php\/wp-json\/wp\/v2\/media?parent=657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}